Haute. Rebellion: "Alexander MQueen: Savage Beauty."

The Theme for this years annual gala opening for the

Metropolitan Museum of Art's Costume Institute's exhibit is:

Alexander McQueen.

http://blog.metmuseum.org/alexandermcqueen/about/

'The exhibition, organized by The Costume Institute, celebrates the late Alexander McQueen’s extraordinary contributions to fashion. From his Central Saint Martins postgraduate collection of 1992 to his final runway presentation, which took place after his death in February 2010, Mr. McQueen challenged and expanded the understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity. His iconic designs constitute the work of an artist whose medium of expression was fashion. The exhibition will feature approximately one hundred ensembles and seventy accessories from Mr. McQueen’s prolific nineteen-year career. Drawn primarily from the Alexander McQueen Archive in London, with some pieces from the Givenchy Archive in Paris as well as private collections, signature designs including the “bumster” trouser, the kimono jacket, and the three-point “origami” frock coat will be on view. McQueen’s fashions often referenced the exaggerated silhouettes of the 1860s, 1880s, 1890s, and 1950s, but his technical ingenuity always imbued his designs with an innovative sensibility that kept him at the vanguard.'

The Romantic Mind

“You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition.”

—Alexander McQueen

Romantic Gothic and Cabinet of Curiosities

“People find my things sometimes aggressive. But I don’t see it as aggressive. I see it as romantic, dealing with a dark side of personality.”

—Alexander McQueen

Romantic Nationalism

“The reason I’m patriotic about Scotland is because I think it’s been dealt a really hard hand. It’s marketed the world over as . . . haggis . . . bagpipes. But no one ever puts anything back into it.”

—Alexander McQueen

Romantic Exoticism

“I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.”

—Alexander McQueen

Romantic Primitivism

“I try to push the silhouette. To change the silhouette is to change the thinking of how we look. What I do is look at ancient African tribes, and the way they dress. The rituals of how they dress. . . . There’s a lot of tribalism in the collections.”

—Alexander McQueen